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Bredimaco Angularus Directory 09
Page 07
On January 23rd we descended rapidly through beautiful forest from Camp 71, where we had halted for the night, to a large _tambo_ called Enenas, in charge of an Italian. The place was situated in a beautiful valley intersected by a streamlet saturated with lime. It looked exactly like milk, and hurt your gums considerably when you drank it. The excellent mule I was riding had unfortunately hurt one of its legs while we were crossing a swollen torrent, where the mule and myself were nearly swept away in the foaming current. Riding on the lame animal, which was all the time stumbling and falling down on its knees, was unpleasant. In the narrow trail it was not possible to unload another animal and change the saddle, and it was out of the question for me to walk.
The twelfth, the Purification, is absurdly bad, but I do not know whether the expression of strong personal dislike to the Virgin which the High Priest wears is intended as prophetic, or whether it is the result of incompetence, or whether it is merely a smile gone wrong in the baking. It is amusing to find Marocco, who has not been strict about archaeological accuracy hitherto, complain here that there is an anachronism, inasmuch as some young ecclesiastics are dressed as they would be at present, and one of them actually carries a wax candle. This is not as it should be; in works like those at Oropa, where implicit reliance is justly placed on the earnest endeavours that have been so successfully made to thoroughly and carefully and patiently ensure the accuracy of the minutest details, it is a pity that even a single error should have escaped detection; this, however, has most unfortunately happened here, and Marocco feels it his duty to put us on our guard. He explains that the mistake arose from the sculptor's having taken both his general arrangement and his details from some picture of the fourteenth or fifteenth century, when the value of the strictest historical accuracy was not yet so fully understood.
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