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Bredimaco Angularus Directory 06
Page 02
John did not return to England until near the middle of December, but even at that date Innocent III had not decided the question of the Canterbury election. On December 20 he declared against the claim of the bishops and against the first secret election by the monks, and under his influence the deputation from Canterbury elected an Englishman and cardinal highly respected at Rome both for his character and for his learning, Stephen of Langton. The representatives of the king at Rome refused to agree to this election, and the pope himself wrote to John urging him to accept the new archbishop, but taking care to make it clear that the consent of the king was not essential, and indeed he did not wait for it. After correspondence with John in which the king's anger and his refusal to accept Langton were plainly expressed, on June 17, 1207, he consecrated Stephen archbishop. John's answer was the confiscation of the lands of the whole archbishopric, apparently those of the convent as well as those of the archbishop, and the expulsion of the monks from the country as traitors, while the trial in England of all appeals to the pope was forbidden.
The earliest decorative art appeared in Ireland. It was probably first planted there by missionaries from Italy, and it reached its height in the seventh century. In the ninth and tenth centuries missal illumination of a Byzantine cast, with local modifications, began to show. This lasted, in a feeble way, until the fifteenth century, when work of a Flemish and French nature took its place. In the Middle Ages there were wall paintings and church decorations in England, as elsewhere in Europe, but these have now perished, except some fragments in Kempley Church, Gloucestershire, and Chaldon Church, Surrey. These are supposed to date back to the twelfth century, and there are some remains of painting in Westminster Abbey that are said to be of thirteenth and fourteenth-century origin. From the fifteenth to the eighteenth century the English people depended largely upon foreign painters who came and lived in England. Mabuse, Moro, Holbein, Rubens, Van Dyck, Lely, Kneller--all were there at different times, in the service of royalty, and influencing such local English painters as then lived. The outcome of missal illumination and Holbein's example produced in the sixteenth and seventeenth centuries a local school of miniature-painters of much interest, but painting proper did not begin to rise in England until the beginning of the eighteenth century--that century so dead in art over all the rest of Europe.
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